The Times has written that Alina Ibragimova performs with “a mixture of total abandonment and total control that is in no way contradictory” and that she is “destined to be a force in the classical music firmament for decades to come”.
Performing music from baroque to new commissions on both modern and period instruments, Alina Ibragimova has appeared with orchestras including the London Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, Stuttgart Radio Symphony, Hallé, Seattle Symphony, Munich Chamber, Orchestra of the Age of Enlightenment, Konzerthausorchester Berlin, Orchestre National du Capitole de Toulouse, Philharmonia, and all the BBC orchestras. Conductors with whom Alina has worked include Sir Charles Mackerras, Valery Gergiev, Sir John Eliot Gardiner, Sir Mark Elder, Paavo Järvi, Vladimir Jurowski, Rafael Frühbeck de Burgos, Philippe Herreweghe, Richard Hickox, Osmo Vänskä, Yannick Nézet-Séguin, Tugan Sokhiev, Edward Gardner and Gianandrea Noseda.
As soloist/director Alina has toured with the Kremerata Baltica, Britten Sinfonia, Academy of Ancient Music, and the Australian Chamber Orchestra.
With regular recital partner Cédric Tiberghien and in solo and chamber music Alina has appeared at venues including the Wigmore Hall, Concertgebouw, Mozarteum, Musikverein, Carnegie Hall, Palais des Beaux Arts, Vancouver Recital Series, and at festivals including Salzburg, Verbier, MDR Musiksommer, Manchester International, Lockenhaus and Aldeburgh.
Born in Russia in 1985 Alina studied at the Moscow Gnesin School before moving with her family to the UK in 1995 where she studied at the Yehudi Menuhin School and Royal College of Music, and was a member of the Kronberg Academy Masters programme. Alina’s teachers have included Natasha Boyarsky, Gordan Nikolitch and Christian Tetzlaff.
Alina has been the recipient of awards including the Royal Philharmonic Society Young Artist Award 2010, Borletti-Buitoni Trust and a Classical BRIT, and was a member of the BBC New Generation Artists Scheme 2005-7. Alina records for Hyperion Records and performs on a c.1775 Anselmo Bellosio violin kindly provided by Georg von Opel.